If you’ve read my authors comments for the first three Mole books, you may recall that each book has a different predominant colour and, from the third book onwards, the stories were written with this colour theme in mind.
I’d originally intended the fourth book to be the ‘red book’ having had a suitable autumnal story1 at the back of my mind for couple of years. However, when I finally wrote up the story, my publisher did not think it was strong enough and asked me to come up with another autumnal story to fit the bill. This proved difficult. The first story had been in my head for so long that it had formed a sort of rut and when I tried to write another story with the same characters in the same autumnal setting it always ended up following a similar line.
Around this time I had a phone conversation with Mole’s illustrator, Vanessa Cabban, and mentioned the difficulty I was having writing the next story. We also discussed the fact that after the red book, we might have to forgo the colour theme, as there are not that many colours that Mole might reasonably encounter in his woodland home. I mentioned that one of the few remaining options that had occurred to me was a brown book set mostly underground, but I thought that this might be too restrictive for her too illustrate. To my surprise, Vanessa was very keen on the idea, and suggested that if I couldn’t come up with a new red book text, I should try writing this brown book instead – which is what I did!
All of the previous Mole stories are about Mole venturing up, above ground into a new environment on a quest for something unfamiliar. This story goes in the opposite direction, with Mole staying down underground, in his native habitat, in search of something - or rather someone - familiar.
One of the challenges of writing a series of stories about the same set of characters is that you have to try to maintain the familiar appeal of the characters, whilst offering something different. One of the differences in this story is that the character relationships are reversed. While Rabbit is usually the most responsible and parent-like character, it’s Rabbit that needs looking after in this story. And while Mole is usually the inexperienced character who’s set straight by the others, in this story it’s Hedgehog and Squirrel who follow Mole’s lead.
It was quite a while before editor Denise Johnstone-Burt and I settled on the title for the story. The slightly tongue-in-cheek working title I’d given it was Tunnel of Love, which was very apt for a story about digging a tunnel to reach a loved one, but had cheesy connotations that made it unsuitable. We considered several alternative titles, including A Tunnel-full of Friends and A Burrow between Friends, each of which required slightly different story endings to tie them in. In the end Denise suggested using the phrase ‘The Best Gift of All’ which Rabbit uses at the end.
As I mentioned above, I’d had reservations about doing an underground story as I thought the limited earth-tone palette and confined setting would be too restrictive for Vanessa Cabban to illustrate, but I needn’t have worried. While the story does pop above ground at a couple of points, adding a little colour, the underground world that Vanessa depicts feels so warm and cosy that you wonder why Mole would ever want to leave.
1 I thought the ‘red book’ either had to be set in autumn/fall or on Mars!
If you’ve read my authors comments for the first three Mole books, you may recall that each book has a different predominant colour and, from the third book onwards, the stories were written with this colour theme in mind.
UK
